The resulting conversation covers their modified war horses, deciphers their esoteric stacks, and reveals the secrets of the “doom broom.” Plus, we get hip to new builder (Elad Shapiro of Dale Amps). welcomed PG’s Chris Kies onstage to re-chronicle their setups. Just before their sold-out show at Nashville’s historic Ryman Auditorium (on Halloween, no less), Witches guitarist Ben McLeod and bassist/vocalist Charles Michael Parks Jr. (Drop the needle on closer “Rats in Ruin” and let it wash over you.) And 2020’s Nothing as the Ideal shows the temporary power trio (drummer Robby Staebler completes the line-up) striking a levitating balance within a menacing, mortar of metal that binds and anchors their emotive, effervescent excursions. For 2018’s ATW, the band’s IV-like retreat (substitute Headley Grange for a Tennessee cabin) extracted a doomier, more chaotic side A equally matched by a side B that’s a psychedelic painkiller. Sleeping Through the War, in 2017, explored more purposeful, mystical songcraft cloaked in hypnotic, rambunctious rock. Their never-ending musical mutation has yielded three more individualistic, intrepid releases since our last check-in. Since their (2016 Rig Rundown), the quartet have continued pursuing their sonic mission, unbound by anything but regeneration. Shortly before a gig at Brooklyn Bowl in Nashville, John Bohlinger caught up with Shannon and bassist Dan Horne to talk gear.Įxpanding, evolving, exploring, and enchanting are all applicable when describing the orbit of All Them Witches. The group recruited (Eric Krasno) and Scott Metzger for various tours before settling in with John Lee Shannon in July of 2021. Casal urged the group to carry on without him. Sadly, a week after tracking their self-titled album (Casal took his own life). In 2018, the group released their second double album, Let it Wander, and followed it up with a completely improvised EP featuring drummer Joe Russo. This wasn’t simply wordless Dead covers, but new creations formed in essence and spirt of the Dead. Originally, CATS was going to be a one-off project, but fan feedback pushed Casal and company to release it as Interludes for the Dead. Founded by the late Neal Casal, this instrumental band of sonic explorers was born out of a request for set-break music during the Grateful Dead’s final run of shows in San Francisco and Chicago during 2015.
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